Type | List | Author | Title[further info] | Series | Vol | No | Year | Pages | Status |
| 1. | Lindley, Mark | Instructions for the clavier diversely tempered. |
EarlyM |
5 | 1 | Jan 1977 |
18-23 |
|
| 2. | Lam, Basil | Authenticity and the St John Passion. |
EarlyM |
5 | 1 | Jan 1977 |
45-49 |
|
| 3. | Procter, Michael | The 1976 Berlin Bachfest. |
EarlyM |
5 | 1 | Jan 1977 |
125 |
|
| 4. | Hilton, Wendy | A dance for kings: The 17th-century French Courante. Its character, step-patterns, metric and proportional foundations. |
EarlyM |
5 | 2 | Apr 1977 |
161-172 |
|
| 5. | Baines, Francis | What Exactly Is a Violone?: A Note towards a Solution. |
EarlyM |
5 | 2 | Apr 1977 |
173-176 |
|
| 6. | Smithers, Don L. | The baroque trumpet after 1721: Some preliminary observations. Part one: Science and Practice. |
EarlyM |
5 | 2 | Apr 1977 |
177-183 |
|
| 7. | Neumann, Frederick | The dotted note and the so-called French style. Translated from the French by Raymond Harris and Edmund Shay. [= RevueMcol LI (1965)] |
EarlyM |
5 | 3 | Jul 1977 |
310-324 |
|
| 8. | Fuller, David | Dotting, the 'French style' and Frederick Neumann's Counter-Reformation. |
EarlyM |
5 | 4 | Oct 1977 |
517-542 |
|
| 9. | Donington, Robert | What 'is' rhythmic alternation? |
EarlyM |
5 | 4 | Oct 1977 |
543-545 |
|